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A single mother and her young daughter struggle to make ends meet until they inherit their family’s farmhouse. When a business rival covets their water rights, the situation spirals out of control.
Madge Hooper, owner of several small businesses in town, was killed during one of her daily walks along Yellow Ridge woods in the 1970′s. She died of a single shot gun blast to the chest then finished off by decapitation. Madge’s head was buried somewhere in the area of Yellow Ridge. Legend has it that if you go to a particular part of the woods at a particular time of day you can see the ghost of Madge Hooper wandering around in the woods looking for her head. After some bizarre killings of innocent campers begin to surface, John and Clarence, two local good ‘ole boys set out to prove that the ghost of Madge Hooper actually exists.
A few hours in Paris, one summer evening in 2020. The camera follows one passer-by then the other, traveling through the streets of the city and multiplying curious encounters: eccentric young people, original characters and nonconformists. During a single uninterrupted shot, the camera links the characters together through the same city, and the same time in crisis that each one goes through and questions in their own way.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
In this single shot thriller, we’re in the driver’s seat with small-time dealer Budge as he tries to pull one last deal with cash borrowed from a dangerous loan shark. When the handover goes catastrophically wrong, Budge finds himself in a race against time to find his missing product and get a new buyer before the loan shark tracks him down.
One livid dawn, a cold and damp wind blows as a man walks alone through the darkness. Deputy Police Superintendent Francesco Prencipe is on his way to meet his best friend, Judge Giovanni Mastropaolo whom he hasn’t seen for almost two years. The men drive for two hours and exchange but a few words. Later that morning, the Judge is found dead, a single gunshot wound to his head. Francesco is the last person who saw him and his fingerprints are the only ones found in the house. But is he the murderer?
When a gunman takes five lives with six shots, all evidence points to the suspect in custody. On interrogation, the suspect offers up a single note: “Get Jack Reacher!” So begins an extraordinary chase for the truth, pitting Jack Reacher against an unexpected enemy, with a skill for violence and a secret to keep.
A troubled veteran gets a chance at redemption by protecting a girl from an assassin after she witnesses a murder. Holding a shotgun with a single shell, he engages in physical and psychological warfare in a desperate fight for the girl’s life.
Multiple Grammy Award-winning singer Adele performs a special one-night only concert in New York at Radio City Music Hall. This extraordinary performance marks the artist’s first concert in the U.S. since fall 2011 and her largest show to date in New York. Adele recently released her highly anticipated new album, 25. The album’s first single, “Hello,” shot to the top of charts around the globe upon release on October 23. The video for “Hello” was also released on October 23 and amassed over 146 million views in just one week. “Adele Live in New York City” is executive produced by Lorne Michaels, Adele and Jonathan Dickins, and directed by Beth McCarthy-Miller.
Missie three years later: being a single mother after her husband Willie was shot during a poker scuffle. She and Maddy move back in with her parents Clark and Marty. She finds a new home, and finds a new teaching position that she settles right into, but Missie has lost all faith in herself, until a chance encounter at her father’s church where she adopts homeless orphan Belinda Marshall.
With the help of a hilarious, all-female slate of stand-up comedians, Jenny McCarthy takes an outrageous look at life as a contemporary woman: from single motherhood to casual sex. Shot at the Hard Rock Hotel & Casino, this one-hour special includes sets from Justine Marino, Tammy Pescatelli, Lynne Koplitz, Paula Bel and Tiffany Haddish, as well as a series of sketch vignettes from McCarthy herself.
The story of Dave, a self-proclaimed king. Told in a single breath in one sequence shot.
Road to the Open is an offbeat comedy about a has-been doubles tennis team, single parenthood, the quest for love, and a once in a lifetime shot at greatness.
A love triangle – shot in two single 45 minute takes set eighteen months apart: the first over a sunset, the second a sunrise.
